Parc
Monceau / The Folly Garden of the Duke of Chartres
Allyson
M. Lovell
The Folly Garden of the Duke of Chartres was originally built in
1779 in Paris, France. It was bought by the city of Paris in 1840 and is now
known as Parc Monceau. It was breathtaking to see the Parc Monceau in person on my
recent study abroad trip to Paris. Upon ascending out of the Metro, I
immediately noticed the massive black and gold Chinese-style gate and the
rotunda. Reading about the architecture of Monceau and its eccentric nature is
one thing, but seeing it in person, surrounded by bustling modern Paris was
something absolutely different. Today, the park features a quaint children’s
carousel, a snack shack with warm beverages, sandwiches, crêpes, etc., a few
remaining follies, a walking path, and a large open field for children,
families, and pets to roam free in the sunshine. The Duke’s aim was to create a
garden that was much like a landscape painting that one could step into. If that isn’t awe-inspiring
enough, on the day I visited, it was covered in a blanket of snow!
The Duke of Chartres, who was who was the nephew of King Louis
XVI, was also a known Anglophile, and was often ridiculed in court for his
obsession and, frankly, for his goofiness. Since the Duke loved all things
English, he wanted to recreate the English garden on his property in France.
English gardens were quite different from French Gardens. English gardens often
featured a variety of plants growing freely, weeds included, and they did not
have much structure. French gardens, on the other hand, were organized in
geometric patterns, and even shrubbery was often formed into spheres and
triangles. Monceau, though modeled after the English garden, is still very
French in terms of its neat organization of the follies and well-defined
walking paths.
Drawing from the idea of the English garden and the folly garden
as well as the picturesque garden, architect Louis Carrogis Carmontelle made his version of the picturesque garden a
source of both entertainment and novelty, and I think Monceau is just that. The
garden originally featured a number of “follies” and was comparable to an
18th-century amusement park.
Some of these follies included a miniature ancient
Egyptian pyramid, a Roman colonnade, antique statues, a pond of water lilies, a
Turkish tent, a farmhouse, a Dutch windmill, a temple of Mars, a minaret, an
Italian vineyard, an enchanted grotto, and a Gothic building. Many of these
exotic additions to the garden were made of cheap materials, and therefore
weathered rather quickly. The only follies remaining are the Roman colonnade,
the pyramid, and the mysterious grotto.
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| Colonnade, originally built for the Folly Garden of the Duke of Chartres, 1779 (photo: Jessica Medeiros) |
Grotto, originally built for the Folly Garden of the Duke of Chartres,
1779. Note the snow still on the ground: March 19, 2018 (photo: Camryn Perry)
Symbols of Freemasonry
abound in this garden, from the underground cave-like grotto where secretive Masonic
meetings and rituals took place to the symbolism of the pyramid that is tied to
the Freemasons. The Duke of Chartres was known to be a prominent member of the
Freemasonry Brotherhood. In Freemasonry, triangles were representative of
sacred geometry, as well as a symbol of the “divine architect,” making the
miniature pyramid quite an obvious allusion to the Duke’s involvement with the
Freemasons.
Pyramid, originally built for the Folly Garden of
the Duke of Chartres, 1779. March 19, 2018 (photo: Camryn Perry)
The Folly Garden of the Duke of Chartres is not simply a garden,
or even just a folly garden. It is more like a place that transports the viewer
into another world. It is much like a landscape painting that we can step into. Especially when all the
original follies were still in place, experiencing Monceau was like
experiencing an Opera—fully immersive and entertaining. Upon visiting, I
realized how true this is. When you’re having a stroll in Parc Monceau, it is
easy to forget the bustling city around you.
If I lived in Paris, this park would be where I would go to
escape the city and be immersed into a world of nature and contemplation. I
think the architects of Monceau succeeded in creating a natural garden space
that really serves as so much more, and remains admired centuries later. In the
eighteenth century, it served as a pleasure garden and a place of recreation
and secret Masonic meetings. After the City of Paris bought Monceau in 1840, it
became a natural spot loved by artists and writers. Today, it remains one of
the only “green spots” for children to play in, and adults to wander in.
Monceau was, and remains, a place of mystery and wonder.
Sources
Consulted
Hunt,
John Dixon. A World of Gardens. London,
2012
Kirill. “Baroque Momentos-
Pyramus & Thisbe by John Frederick Lampe.” YouTube. February 24, 2012. https://www.youtube.com/watch?v=tJNg4eKqLjE (Accessed 3 February 2018)
N.A. “The Parc Monceau” in Museums: MAD. Paris: Musée des Arts Décoratifs. http://madparis.fr/en/museums/musee-nissim-de-camondo/the-mansion-and-the-collections/the-parc-monceau
(Accessed 3 February 2018)
Olausson, Magnus.
“Freemasonry, Occultism and the Picturesque Garden towards the end of the
Eighteenth Century.” Art History,
Vol. 8/4 (1985): 413-433
Oostveldt, Bram Van.” Ut
pictura hortus/ut theatrum hortus: Theatricality and French Picturesque Garden
Theory (1771–95),” Art History, Vol.
33/2 (2010): 364-377
Ovid, Translated by Rolfe
Humphries. “The Story of Pyramus and Thisbe from The Metamorphoses.” Highlands
County School. http://highmail.highlands.k12.fl.us/~rapph/Pyramus%20and%20Thisbe.pdf (Accessed 3 February 2018)
Pierre. “Parc Monceau” in French Moments. https://frenchmoments.eu/parc-monceau-paris/ (Accessed
3 February 2018)
Taylor, Patricia. Thomas Blaikie (1751-1838): the ‘Capability’
Brown of France. East Linton, 2001
Wiebenson, Dora. The
Picturesque Garden in France. Princeton, 1978




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